7/4/2023 0 Comments Dead cells soundtrack composer![]() ![]() ![]() Jacomo sits down with Brian and Nick to discuss his path towards becoming a conductor, what a conductor's role is, and how he is working to keep orchestral music vibrant and relevant in the 21st century. As the co-founder and artistic director of the Nu Deco Ensemble, Jacomo has found ways to challenge and inspire his audience, which has led to collaborations with notable musicians like Wyclef Jean, Tune-Yards, Jacob Collier, and Ben Folds. A shift in how younger generations want to interact with music vs passive listening.įollow Tatiana on Twitter and check out her website.ĭescribed in the press as “thrilling,” “inspirational,” and “world-class,” Portuguese-American conductor, producer, and podcast host Jacomo Bairos challenges the preconceptions of orchestral music by fusing genres and instrumentation, providing a modern take on what an orchestra can do. MIDia has found data to back up a shift in goals among most artists. What brought Tatiana to MiDia research and a look at how they approach entertainment industry analysis. A discussion of social media and the difficulties it poses for introverted artists. Incentives for artists to do virtual concerts. What a virtual concert could provide vs. A deep dive discussion of the various applications of music in the Metaverse. How Tatiana got her start in music journalism. On the show, Tatiana gets into a deep discussion with Brian and Nick on the future of the music industry and the opportunities posed by the Metaverse. Formerly an award winning music journalist at Billboard, Tatiana wrote cover stories on influential artists like Tame Impala, Travis Scott, and Alicia Keys. Music industry analyst, consultant, and reporter, Tatiana Cirisano joins the podcast this week to discuss current industry trends found at MIDia research. Exciting developments Jesse has seen at the Solana Conference in Miami.įollow Jesse on Twitter, and subscribe to NUE Agency’s Beats+Bytes newsletter. The huge potential upsides for artists of Web 3.0, and how much things have already changed with Web 2.0. What an agent is looking for when they sign an artist, and who Jesse is currently working with. How Jesse went from being a promoter to an agent. Jesse discusses his time at Gizmondo and what he learned there. He sits down with Brian and Nick to discuss his time working as a booking agent, his advice for upcoming artists looking for an agency, as well as thoughts on innovations of Web 3.0. Currently as the Chief Marketing Officer of livestreaming company Dreamstage, Jesse has positioned himself at the cross section of the old and new worlds of entertainment, with a passion for designing unforgettable live and digital experiences. Cole, Pusha T, Big Sean, Action Bronson, Meek Mill and Logic. ![]() NUE Agency's roster includes popular musicians like Solange, J. P.T.'s socials: Twitter, Instagram, Spotifyįounder and CEO of the NUE Agency, Jesse Kirshbaum has a lot of experience in both the music space as well as tech innovation. 24:00] - Deciding on a genre for the music of Cyberpunk Behind the licensed music of Cyperpunk 2077 He chats with Nick and Brian about his techniques for building a game score, as well as some of his favorite ways to record music. shares his personal journey during the development of the game, as well his inspirations and challenges. Their most recent title, Cyberpunk 2077, was a massive undertaking many years in the making. He graduated from the Scoring for Motion Pictures and Television program at the University of Southern California, and landed himself a job as Senior Composer for the renowned Polish studio behind the Witcher games: CD Projekt Red. He started out working as a session and performing drummer, eventually hitting his stride as a composer and producer. Adamczyk expressed interest in music from a young age. Joel chats with Nick and Brian about his journey as a musician, his knowledge of game development, and his personal method for marrying music to gameplay. Titles under his belt include Halo: Infinite, Death Stranding and cult classic The Unfinished Swan. He later set up his own studio, Waveplant Studios, dedicated to creating soundscapes and music for visual mediums and installations. Before his transitioning into video game scoring, Joel had worked on various commercials with composition studio, Steve Ford Music. Developing an interest for sounds and electronic music at the age of five, Joel grew up to attended the Oberlin Conservatory of Music pursuing a Major in Technology in Music and Related Arts. This week we're welcoming the prolific Joel Corelitz to the PlusMusic Podcast. ![]()
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